Lensed in black-and-white, the 77-minute film is plenty arty and only arguably constructive in its tasteful fictionalization of a violent tragedy.. Nicely anticipates Villeneuve's 2010 masterpiece, Incendies, another story of forgiveness in a cruel, cold world.. Filmed in black and white, the French-language film does not set out to comprehend the crime other than to suggest that the shooter (played with a vacant stare by Maxim Gaudette) was a pathetic loser who chose to blame women for his empt...
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