It's a pretty journey, even if it is far too talky and emotionally distant to really work.. This last Merchant/Ivory film feels like a thin apparition of the team's best films -- similarly static but less substantial, less palpable, and sadly less respectable, just the vestigial remains of a better day.. A rewarding close to the Merchant Ivory oeuvre.. ... The White Countess is so bloodless it all but cries for a transfusion.. As the last film from the legendary team of Ivory and producer Ismail...
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